(ZENIT News / Medellin, 25.01.2025).- Since the end of December 2024, an imposing sculpture stands in the heart of the 13th Commune of Medellin, a neighbourhood known for its social and artistic transformation. It is the eleven-meter high 3D Christ Paisa, which already holds the title of the largest 3D printed Christ in Latin America
Beyond its size, this work is outstanding for its originality and cultural rootedness. Inspired by the classic figure of Christ the Redeemer, the Christ Paisa [paisa means compatriot, countryman] incorporates iconic elements of the Antiochian culture, such as the traditional poncho and leather bag, fusing technology and tradition in a gesture that celebrates the local identity.
The construction of this monumental work was possible thanks to the effort of a team of some forty people, between investors and students of the Metropolitan Technological Institute (MTI) of Medellin. Each one of the more than 1,600 pieces that make up the sculpture was 3D printed, using biodegradable materials, then reinforced with glass fibre and resin to guarantee its durability.
“We wanted to demonstrate how the new technologies can be integrated in our culture, to transform the surroundings and generate a positive impact,” said those responsible for the project, who hope to nominate this work for the Guinness World Records as the world’s largest 3D Christ.
A New Tourist Attraction for the 13th Commune
The location of the Christ Paisa is not accidental; it is in the second landing of the famous escalator of the 13th Commune, a strategic point that welcomes thousands of tourists every year. This monument not only reinforces the attractiveness of the neighborhood as a cultural destination, but also seeks to increase the flow of visitors at least by 10%.
For those that wish to admire this work up-close, there is a 10,000 Colombian pesos entrance fee, although during its inauguration, those attending were invited to bring toys to give to the Commune’s children in exchange for free entrance. This solidary initiative reinforced the community spirit that defines this area of Medellin.
Beyond the tourist impact, the 3D Christ Paisa is a testimony of the transforming potential of technology when placed at the service of the faith and the community. The work symbolizes the ingenuity and ability of young Antiochians to dream big and materialize innovative projects that, in addition to beautifying a public space, strengthen the identity and sense of belonging of the inhabitants.
The 13th Commune, which in the past was synonym of violence and stigmatization, has become an example of resilience and creativity. The Christ Paisa is the most recent of a series of projects that continue to position this neighborhood as a cultural and social reference.
